Koncerty Louise Armstronga v Praze v roce 1965 jako odrazový můstek švýcarského producenta Wernera Schmida

Stránky	23–32
DOI	10.37520/amnph.2020.012
Klíčová slova	post-stalinism, jazz, Louis Armstrong, musical production, mainstream, history of everyday life
Typ článku	Recenzovaný článek
Citace	ANDRS, Jiří. Koncerty Louise Armstronga v Praze v roce 1965 jako odrazový můstek švýcarského producenta Wernera Schmida. Acta Musei Nationalis Pragae – Historia. Praha: Národní muzeum, 2020, 74(3-4), 23–32. DOI: https://doi.org/10.37520/amnph.2020.012. ISSN 2570-6845 (print), 2570-6853 (online). Dostupné také z: https://publikace.nm.cz/periodicke-publikace/acta-musei-nationalis-pragae-historia/74-3-4/koncerty-louise-armstronga-v-praze-v-roce-1965-jako-odrazovy-mustek-svycarskeho-producenta-wernera-schmida

Acta Musei Nationalis Pragae – Historia | 2020/74/3-4

The building of cultural dynamics of Czechoslovak post-stalinist era of the 1960s was interconnected to profitable production activities and restoring of ties to the West. Louis Armstrong’s series of performances in March 1965 became a milestone of this trend. Two key figures of the second half of the 1960s appeared in the background – Swiss producer Werner Schmid and manager František Spurný on Czechoslovak side. Thanks to the not-yet-published archival materials of Czechoslovak secret police (StB) we can learn new facts about the background of 1960s cultural exchange between the West and Czechoslovakia.

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