Kancionál Ondřeje Kopydlanského ze Sedlčan v novém kontextu
| Stránky | 56-95 |
|---|---|
| DOI | 10.37520/muscz.2022.002 |
| Klíčová slova | cantional, Ondřej Kopydlanský, Sedlčany, 16th/17th century, polyphonic song, Renaissance music, confraternity of literati |
| Citace | ŠTEFANCOVÁ, Dagmar. Kancionál Ondřeje Kopydlanského ze Sedlčan v novém kontextu. Musicalia. Journal of the Czech Museum of Music / Časopis Českého muzea hudby . Praha: Národní muzeum, 2022, 14(1-2), 56-95. DOI: https://doi.org/10.37520/muscz.2022.002. ISSN 1803-7828 (Print), 2533-5634 (Online). Dostupné také z: https://publikace.nm.cz/periodicke-publikace/musicalia-journal-of-the-czech-museum-of-music-casopis-ceskeho-muzea-hudby/14-1-2/kancional-ondreje-kopydlanskeho-ze-sedlcan-v-novem-kontextu |
The cantional of Ondřej Kopydlanský of Sedlčany (NM-ČMH AZ 34) is one of the polyphonic artefacts of Czech Renaissance music with a complete set of the vocal parts. The study of archival materials, comparisons with similar cantionals, and discoveries made during the source’s restoring in 2007 have led to new conclusions with a revision of the source’s dating and new information about the circumstances of its creation. The manuscript probably dates from the 1610s from a small town in central Bohemia. It preserved not only period arrangements of sacred songs, but also the practical use of older repertoire in an interesting manner. This gives us a clearer picture of Ondřej Kopydlanský’s standing as a cantor and scribe associated with the activities of Sedlčany’s confraternity of literati and as the “editor” of the cantional.
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