De-Contextualisation or Re-Contextualisation: Tibetan Buddhism in the Náprstek Museum

Stránky 31–42
DOI 10.1515/anpm-2017-0028
Klíčová slova Museum collections, museum exhibitions, art, artifacts, aestheticisation, Tibetan and Mongolian objects
Typ článku Recenzovaný článek
Citace HEROLDOVÁ, Helena. De-Contextualisation or Re-Contextualisation: Tibetan Buddhism in the Náprstek Museum. Annals of the Náprstek Museum. Praha: Národní muzeum, 2017, 38(2), 31–42. DOI: https://doi.org/10.1515/anpm-2017-0028. ISSN 0231-844X (print), 2533-5685 (online). Dostupné také z: https://publikace.nm.cz/periodicke-publikace/aotnpm/38-2/de-contextualisation-or-re-contextualisation-tibetan-buddhism-in-the-naprstek-museum
Annals of the Náprstek Museum | 2017/38/2

The study based on the preparation of Přiběh Tibetu [The Story of Tibet] exhibition in the Naprstek Museum focuses on the de-contextualisation of Tibetan Buddhism objects in the museum setting. It deals with the stages of the decontextualisation process from the removing of the original material environment and social context to creation of new meanings in the museum. Namely it discusses aestheticisation and its relation to the art-gallery style exhibition.

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